By Ruth Currie
Read or Download Carpetbagger of Conscience: A Biography of John Emory Bryant (Reconstructing America (Series), No. 3.) PDF
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Extra resources for Carpetbagger of Conscience: A Biography of John Emory Bryant (Reconstructing America (Series), No. 3.)
Bryant's background, on the other hand, was that of the evangelical reformer, the abolitionist tradition linking change to politics, a much different motivation for seeking office. The unanswerable question is this: Why did Bullock turn aside John Caldwell and John Emory Bryant, who had been so instrumental in electing him? Perhaps the answer lies in subtle class differences among the Republicans. It is perhaps instructive, and at the least interesting, that at the end of the nineteenth century old colleagues O.
Others mistrusted him, believed him corrupt, and despised his aggressive style. One purpose of this book is to analyze Bryant's career from the inside. The carpetbaggers, an enigmatic group, remain shadowy. But understanding of a man such as Bryant, who became a significant state political figure, can provide enormous insight into the expectations and accomplishments of local Republicans. His own vicissitudes as well as those of his wife are evident; one sees not just a political adventurer but a real person with a family, someone who must cope with rent, babies, and a marriage that suffers from absences.
But Duncan's facile and dismissive use of Perman's "centrist" label does not do justice to the complexity of Georgia politics. Bryant did not vote to expel African Americans from the legislature; in fact, he railed against it. , but he 'himself failed to defend this strategy later, and the mistake haunted the remainder of his career. Richard Abbott's research on the radical press in Georgia shows Bryant's key role in shifting Republican alliances with editor Samuel Bard as well as Brown; Abbott also points out Bullock's questionable commitment to black rights.
Carpetbagger of Conscience: A Biography of John Emory Bryant (Reconstructing America (Series), No. 3.) by Ruth Currie